A Spiritual Banquet

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The Banquet explores faith as something we “consume.” A figure of Christ, formed from food and everyday objects, stands on a cross made of red beads symbolizing sacrifice. Surrounding him are black-and-white optical illusions representing the many conflicting beliefs held by different churches—each claiming to see the truth clearly. Inspired by the artist’s visits to spiritual communities in Fort Collins, the piece questions whether faith is something we choose in parts—or something meant to be accepted whole. Rather than offering answers, it reflects on the uncertainty of belief and the idea that what we see as truth may itself be…

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Description

The Banquet emerges from the artist’s immersive exploration of spiritual communities across Fort Collins, where he attended churches, mosques, and diverse places of worship in search of understanding. This work reflects a pivotal moment within that journey—an encounter with a Baptist congregation that emphasized total adherence to scripture, asserting that truth lies in accepting the entirety of the Bible rather than selecting fragments that comfort or affirm personal belief.

At the center of the composition stands a cross, constructed densely from red beads and embedded objects, evoking both the physicality and symbolism of the blood of Christ. From this vertical axis, a human figure emerges—formed from an assemblage of miniature food items, trinkets, and everyday objects—suggesting the idea of a “spiritual body” composed of what one consumes, both literally and metaphorically. The figure becomes a living metaphor: belief as nourishment, doctrine as diet, faith as something ingested and digested.

Surrounding the central form is a grid of black-and-white optical patterns—hypnotic, disorienting, and endlessly shifting. These illusions represent the multiplicity of religious interpretations and the human tendency to perceive certainty where ambiguity persists. Each pattern asserts itself as truth, yet collectively they reveal contradiction, distortion, and the instability of perception itself.

The work’s title, The Banquet, reflects a central tension: is faith meant to be consumed selectively, like choosing favorite dishes, or accepted in its entirety, regardless of difficulty or discomfort? The artist resists a definitive answer. Instead, he questions the notion that any one institution—or individual—can claim complete understanding. The piece ultimately becomes less about doctrine and more about humility, suggesting that while love may be the closest shared understanding of the divine, certainty itself may be the greatest illusion.

In this way, The Banquet stands not as a declaration of truth, but as an invitation to reflect—on belief, perception, and the ever-shifting nature of what we think we know.

Additional information

Dimensions 24 × 36 in

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